TICKETS

OVERVIEW

My Fair Lady, Lerner and Loewe’s iconic musical based on George Bernard Shaw’s Pygmalion, will run in repertory with Elixir. When hard-headed British phonetics professor Henry Higgins takes Cockney flower girl Eliza Doolittle under his wing to transform her into a lady, cultures clash and Higgins and Eliza form an unlikely bond. With timeless songs like “Wouldn’t It Be Loverly” and “I Could Have Danced All Night”, the Opera Saratoga version will be a love letter to theater, with 10 singing actors playing all the roles and two pianists forming the orchestra.Directed by Mary Birnbaum and choreographed by Julia Eichten, the production will be music directed by Adam Nielsen.

"This dueling piano orchestration of Lerner and Loewe's masterpiece features the famous Ascot racetrack scene, which has a fabulous connection to Saratoga. And of course, Eliza and Henry have one of most the hilarious and heartbreaking relationships in modern drama," says Birnbaum, "I'm looking forward to bringing their story to life with tenderness and care alongside of Julia Eichten, an incredible contemporary choreographer whose work deals with gender, and Adam Nielsen, our new Head of Music."

Four performances at UPH: June 20 at 7:00pm, 24 at 7:00pm, 26 at 7:00pm, & 28 at 2:00pm. Sung in English.

Rating: PG13

My Fair Lady contains …..

  • ACT I

    A rainy night in Edwardian London near the Royal Opera House, a young cockney flower girl, Eliza Doolittle, is selling violets. A young man, Freddy, bumps into her and spoils her flowers. Eliza is cheered up when an elderly gentleman, Mr. Pickering, buys a flower, but again has an outburst when she notices another gentleman writing down how she talks. He introduces himself to the older gentleman as Henry Higgins, a phoneticist, and bets that he can make Eliza a lady by improving her speech ("Why Can't the English"). As they depart he unwillingly throws some loose change into Eliza's bucket, and she imagines what it would be like to live a life like the proper folk ("Wouldn't It Be Loverly"). 

    The next morning Alfred Doolittle, Eliza's father, seeks out Eliza for some money for a drink ("With A Little Bit of Luck"). Meanwhile Higgins and Pickering are discussing linguistics when they get an unexpected visit from Eliza. She is seeking speech lessons to be able to get a job as an assistant at a florist's shop. The two men reinstate their previously discussed wager, and Higgins begins the preliminary attempt to refining Eliza ("I'm An Ordinary Man"). Arthur Doolittle hears of Eliza's lessons, and decides to try and see if he can score a little money out of the arrangement ("With a Little Bit of Luck - Reprise"). 

    Higgins, impressed by Arthur's linguistics and lack of moral code, agrees to pay Arthur to go on a spree so Eliza can continue lessons and also recommends him to an American millionaire seeking a lecturer on moral values. Liza's tumultuous lessons continue, and she frustratingly imagines ways to get rid of Higgins ("Just You Wait"). The tired servants are on the verge of giving up when suddenly Eliza has a phonetic breakthrough and perfectly recites "The Rain in Spain." An overjoyed Eliza is too thrilled to sleep ("I Could Have Danced All Night"). 

    Eliza is brought to the racecourse to to test her new skills ("Ascot Gavotte"). After an initial good first impression, Eliza shocks the attendees with vulgar slang and Cockney attitude - but not without entrancing the young man, Freddy Eynsford-Hill, she bumped into outside the opera. Freddy is denied by Eliza when he calls on her, but swears to wait for her as long as necessary ("On The Street Where You Live"). 

    The final test is at the Embassy Ball where Eliza dazzles as a lady and impresses everyone, including the Queen of Transylvania ("Embassy Waltz"). A former student of Higgins, Zoltan Karpathy, is employed to discover the truth about Eliza through her speech. Though cautioned by his mother and Pickering not to let Karpathy dance with Eliza, Higgins relents. 

    ACT 2

    The test at the Embassy Ball is considered a success as Karpathy has concluded that Eliza must be of Royal Hungarian blood. Pickering and Higgins are ecstatic at the success and declare the experiment over ("You Did It"). Eliza feels used and alone, her feelings unnoticed by Higgins. She lashes out at him and decides to leave. Higgins insults her and abruptly leaves ("Just You Wait - Reprise"). Outside she finds Freddy, still waiting for her ("On The Street Where You Live - Reprise"). He begins to explain his feelings of love towards her, but she cuts him off, tired of words ("Show Me"). The two return to Convent Garden where Eliza is unrecognizable with her new demeanor ("The Flower Market / Wouldn't It Be Loverly - Reprise"). Her father also happens to be there, well dressed and with news that he has been bequested four thousand pounds a year and now must marry Eliza's "step-mother" to be a respectable gentleman ("Get Me To The Church On Time"). 

    Higgins reflects on life with and without Eliza ("A Hymn to Him"). Higgins seeks his mother's advice and is surprised to find Eliza having tea with her. Left alone, the two can clear the air. While Higgins always treated Eliza like a flower girl, Pickering treated her like a lady. Higgins denies any difference in treatment, and Eliza announces she will marry Freddy because he loves her. She says she was foolish to think she needed Higgins and will never see him again ("Without You").

    Henry Higgins realizes his attachment to Eliza ("I've Grown Accustomed To Her Face"). He re-plays the recordings of their first lesson and only hears his harsh and disparaging words. He is interrupted by a Cockney accent, Eliza, who has returned for a possible reconciliation. 

     

Cast

  • Randy Ho

    Raoul de Gardefeu

  • Philip Themio Stoddard

    Bobinet

  • Sung-yeun Kim

    Gabrielle

  • Tivoli Treloar

    Metella

  • Geoffrey Schmelzer

    Le Baron de Gondremarck

  • Chase Sanders

    La Baronne de Gondremarck

  • Daniel Esteban Lugo

    New Yorker/Frick

  • Fantine Douilly

    Pauline

  • Sadie Spivey

    Clara

  • Kate Morton

    Madame de Folle-Verdure

  • Brennan Martinez

    Léonie

  • Chuanyuan Liu

    Madame de Quimper-Karadec

  • Wagner Mauricio Pastor

    Gontran/Prosper

  • Michael Segura

    Urbain

  • Jack O’Leary

    Joseph/Alphonse

Creative Team

  • Juliane Gallant

    Conductor

  • Mary Birnbaum

    Director

  • Zoe Lesser

    Assistant Director

  • Gloria Yin

    Assistant Conductor/Chorus Master

  • Krit Robinson

    Scenic Designer

  • Anshuman Bhatia

    Lighting Designer

  • Audrey Nauman

    Costume Co-Designer

  • Michael Schaffner

    Costume Co-Designer

  • Tim Drucker

    Book

  • Sam Torres

    Sound Designer

Hair and Makeup Designer Earon Nealey

French Diction Coach Bénédicte Jourdois

Speaking Voice Coach Annie Shikany

Movement Coach Cali Quan

Stage Manager Caro Yeung

Principal Coach/Répétiteur Djordje Nesic

Assistant Stage Manager Guadalupe Chavezmalagon

Festival Artist Pianist Abigal Wilemon

Supertitles Laurie Rogers/Mary Birnbaum

Supertitle Operator Abigail Wilemon

Costumes for La Vie parisienne are sponsored by the Marcelle Foundation.